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. Sequins
Shimmer’s programs have always been rhythmic, our exhibitions are layered over time, and we ‘fade’ artworks in and out. Often we see our activities as ‘scores’. Sequins will be the first time that we introduce artworks that have their own internal rhythms. What we imagine in the exhibition cycle is termed a ‘polyrhythm’, a movement in which multiple rhythms after time begin to syncopate together as a new fused rhythm. In Sequins, we have curated artworks and practices that work with ‘the rhythm’ in the broadest sense, and in doing so, celebrate difference as means of community-making. The program consists of different cycles, building, cresting and collapsing over the year.
Cycle 4 with Bik Van der Pol follows cycles by Heman Chong, Felix Gonzalez-Torres and Sharmyn Cruz Rivera (cycle 3), Bea McMahon and Maaike Schoorel (cycle 2) and Kirstin Arndt, Mo Laudi, and Becket MWN (cycle 1).
Bik van der Pol; Installation View.
The image shows a white gallery space. In the front plane, there are two large cardboard boxes with two black stools in front of them. An open folder is lying on top of the cardboard, ready to be examined. A tripod with a glass plate mounted on it and another cardboard box with a white architectural model of The Bookshop Piece are standing at the far end of the room. The cardboard with the model on it is closer to the windows, which are on the left side. On the back wall there is a wallpaper which shows a photograph of people walking in the room in which The Bookshop Piece was exhibited.
Bik van der Pol; Installation View.
In the foreground there are two cardboard boxes. An open folder holding archival material from The Bookshop Piece by Bik Van der Pol is lying on top of the boxes. One black stool is positioned in front, the other behind the them. In a corner on the left side there is another cardboard box. Two large white room dividers are hiding most of a table, and in the far right corner there is another cardboard box with a small number of items lying on top. On the wall above this box a picture with a black frame is hanging on the wall. It is a small yellow picture on a large white background.
Crop from 'The Bookshop Piece' (1996) by Bik Van der Pol. The work (a request for audience memory of a missing work) shown during their early work 'The Bookshop Piece' (1996).
Untitled (after Bruce Nauman), 2009; Full color inkjet print; Dimensions: 10 x 8cm, framed to 80cm x 60cm; Edition: 3, + 1 AP.
A cardboard box is standing in the corner of a room. Two images and two wooden stamps are lying on top of it. A table and a chair are standing on the left side of the space, partially concealed by white room dividers. There are two stacks of books lying neatly on the side of the table. There are two windows. The blinds of one of the windows are drawn, a small rectangular cardboard structure is visible in the middle of the blinds. On the wall next to the window there is a picture with a black frame hanging on the wall. It is a small yellow picture on a large white background.
The Discursive Sculpture, 2023; Dimensions: variable; Teleprompter with text by Maria Lind (1999).
A glass plate and a tablet are mounted on a tripod. In the reflection on the glass plate one can see the screen of the tablet, which shows writing on a dark background. The wall in the back is covered with a large wallpaper that shows a photograph of blurred figures walking past The Bookshop Piece exhibited in a room.
Model of The Bookshop Piece, 1995; Dimensions: 52.5 x 51.5 x 24.5; Foam core and plywood base.
A white architectural model of The Bookshop Piece, placed on top of a large cardboard box, is standing in the corner of a room. On the left there is a window, in the background there is a white wall covered by a wall paper, of which the bottom left part is visible.
Model of The Bookshop Piece, 1995; Dimensions: 52.5 x 51.5 x 24.5; Foam core and plywood base.
A bird's eye perspective close-up of a white architectural model of The Bookshop Piece. The walls of the model are miniature shelves, the flooring is light brown with a wood pattern.
Untitled (after Bruce Nauman), 2009; Full color inkjet print; Dimensions: 10 x 8cm, framed to 80cm x 60cm; Edition: 3, + 1 AP.
A very small picture of a person standing in a corner of a room with yellow walls. They are holding a sign that says “pay attention motherfucker”. The picture is displayed on a large white background, framed by a black frame.
Reproduction of installation view Museum Boijmans van Beuningen; Dimensions: 290 x 290 cm; Full color Inkjet print on vinyl.
A glass plate and a tablet are mounted on a tripod. In the reflection on the glass plate one can see the screen of the tablet, which shows writing on a dark background. The wall in the back is covered with a large wallpaper that shows a photograph of blurred figures walking past The Bookshop Piece exhibited in a room.
Our program in 2024-2025 is supported by the Gemeente Rotterdam and the Mondriaan Fund, We're also supported by our community who often come together and support us in a variety of generous ways
Our program in 2024-2025 is supported by the Gemeente Rotterdam and the Mondriaan Fund, We're also supported by our community who often come together and support us in a variety of generous ways