Across The Way With
December 14, 2021
Shimmer (Rotterdam) and PUBLICS (Helsinki) present Across The Way With... an informal online reading aloud program on intimacy in the public domain. Launched in May 2020, with a growing list of readers from Finland, The Netherlands and across the world.

In Lauren Berlant’s essay Intimacy: A Special Issue, she tells us that everyone thinks they know how to do intimacy, but it is something that is quickly misinterpreted. Intimacy is troubling, fleeting, and challenging to speak about— and more especially to enact. Shimmer and PUBLICS explore intimacy’s obscurity by welcoming words of artists, poets, philosophers, curators, and others from Finland, The Netherlands and around the world. To bring our guests and audience together through multifaceted subjects in a time where racism, war, and greed infiltrates our lives, public intimacy becomes a political act of openness. We intend to challenge intimacy and go beyond the conventional understanding of intimacy as ‘only’ the ‘personal’. Instead, the program considers intimacy as a means to re-think the community and how ‘we’ modern humans in a digitized society engage in the care of one another.

We’re thinking about the texture of the voice, the rhythm of a body, the poetic and artistic methods of writing and how these forms of intimacy can be ‘voiced’ publically. Together we will create a space that is both public and intimate, digital and analogue, distant and in proximity. We choose to create an online platform as a support for the act of reading aloud for others and with others. For the audience it is the intimate act of being read to, it is the intimacy of the texture of the voice, the rhythms of breathing, the digitised voice streaming to you. In this way, rather than creating a ‘reading group’ for discussion, we will create a space of the phone in the pocket, heard on the tram, the laptop taken to bed, at work, in the kitchen. We’re thinking about the platform as a resource, a place available to contemplate, to flesh out the possibilities of access, a site that goes beyond our networks, and walls.

PUBLICS is a curatorial agency with a dedicated library, event space and reading room in Vallila Helsinki, known for its industrial working class histories and, more recently, for its influx of divergent artistic and academic communities. Under the artistic direction of curator Paul O’Neill, with program manager and curator Eliisa Suvanto, PUBLICS explores a “work together” institutional model with multiple overlapping objectives, thematic strands and collaborations. PUBLICS is a constellation of practices, projects and productions. As such, PUBLICS proposes the term “Public” as always plural—as a concept; as a group of people (imagined, actualized or real); and as a contested spatio-temporal location/discourse in the world. The on-going project strands of PUBLICS are: PUBLICS Library; PUBLICS Talks; and PUBLICS Events and Performances. These initiatives will evolve in time and in parallel with the project’s longer-term curatorial programmes, PUBLICS Public Art Commissions. IN @publicsfi FB @Publicsfi W
Kira O’Reilly is an Irish artist based in Helsinki, her practice, both willfully interdisciplinary and entirely undisciplined stems from a visual art background; it employs methods such as performance, biotechnical practices and writing with which to consider speculative reconfigurations around The Body. She makes, writes, teaches, mentors and collaborates with humans of various types and technologies and non-humans of numerous divergences. Her practice has developed across several contexts from visual art, performance and live art, to interfaces of art, science and technology, and to movement/dance based work. Since 1998 she has exhibited widely internationally, she has also presented at conferences and symposia on performance and live art, science, art and technology. She has been a visiting lecturer in Europe, Australia and U.S.A in visual art, drama and dance departments. Residencies and fellowships include SymbioticA, School of Biosciences, University of Birmingham the Department of Drama, Queen Mary University of London, and Randall International Chair in sculpture/dimensional studies in the School of Art and Design, Alfred University, New York 
She moved to Helsinki to lead a pilot master programme in ecology and contemporary performance at University of the Arts Helsinki 2016 – 2018 and has continued to be based there developing artistic projects and collaborations. The monograph Kira O’Reilly: Untitled (Bodies) edited by Harriet Curtis and Martin Hargreaves was published in autumn 2017 as part of the Intellect Live series. She co-edited Art As We Don’t Know It which was published in 2020.

Across The Way With
November 15, 2021
DEHLIA HANNAH is a philosopher and curator, and currently Mads Øvlisen Postdoctoral Fellow in Art and Natural Sciences in the Department of Chemistry and Biosciences at Aalborg University-Copenhagen. She received her PhD in philosophy and certificate in feminist inquiry from Columbia University in 2013, with specializations in philosophy of science and aesthetics. Her recent book A Year Without a Winter (2018) reframes contemporary imaginaries of climate change by revisiting the environmental conditions under which Frankenstein was written and the global aftermath of the 1815 eruption of Mount Tambora. As a curator, her exhibitions and artistic collaborations explore how emerging science and technology inform the aesthetic contestation of ideas of nature. Past exhibitions include ‘Placing the Golden Spike: Landscapes of the Anthropocene’, ‘Control: Experiment, and Dressing in a World of Endless Rainfall’. She is editor of Julius von Bismarck — Talking to Thunder (2019) and Julian Charrière—Toward No Earthly Pole (2020), and co-editor of the forthcoming Routledge Handbook of Art and Science and Technology Studies (2021). Her current research and curatorial project An Imaginary Museum of Philosophical Monsters, issuing in a monograph and a web-based exhibition, foregrounds the role of images in philosophical reasoning.

JULIAN CHARRIÈRE is a French-Swiss artist, living and working in Berlin. Charrière explores ideas of nature and its transformation over deep geological as well as human historical time. Addressing pressing matters of ecological concern, his work frequently stems from fieldwork in remote locations with acute geophysical identities, such as volcanoes, ice fields, oil palm plantations, and undersea and radioactive sites. An ongoing reflection upon the mythos and politics of the exploration in a globalized age is central to his practice. Working across media and conceptual paradigms, Charrière frequently collaborates with composers, scientists, engineers, art historians, and philosophers. His work often provokes, inviting critical reflection upon cultural traditions of perceiving, representing, and engaging with the natural world. A former student of Olafur Eliasson and a participant in the Institute for Spatial Experiments, Charrière graduated from the Berlin University of the Arts in 2013. His artwork has been the subject of solo exhibitions at MAMBo Bologna, Parasol Unit London, MASI Lugano, Dallas Museum of Art, Aargauer Kunsthaus, among others. His work has been featured in the 57th Biennale di Venezia, The 1st Antarctic Biennale, the 12th Biennale de Lyon, and the Taipei Biennale. Group exhibitions include Thyssen Bornemizsa Art Contemporary, Kunsthalle Wien, Musée des Beaux-Arts de Lausanne, Centre Culturel Suisse, Centre Pompidou, Martin-Gropius-Bau and SCHIRN Kunsthalle Frankfurt.
Across The Way With
October 25, 2021
Grace Ndiritu is a British-Kenyan artist whose artworks are connected with the transformation of the contemporary world, through film, photography, paintings and social practice projects with refugees, migrants and indigenous groups. Works like The Ark: Center for Interdisciplinary Experimentation; COVERSLUT© fashion and economic project; and shamanic performance art series Healing The Museum have been shown all around the world. Recent solo exhibitions and performances include Bluecoat Gallery, Liverpool (2019), S.M.A.K. & M.S.K., Belgium (2019), Eastside Projects, Birmingham (2018), CAG Vancouver (2018), Fundació Antoni Tàpies, Barcelona (2017), Museum Modern of Art, Warsaw (2014), Musee Chasse & Nature and Centre Pompidou, Paris (2013).
Across The Way With
October 3, 2021
FLIS HOLLAND (FI/UK) uses sci-fi to find new ways to talk about crisis. They work with live performance, video, and texts, often using mobile apps and remote access tools. Recent highlights include a residency at Finnish Cultural Institute in New York (US), a solo show "Gravity Doesn’t Keep You Down I Do" (FI), and a video "Subserotic Bulge". Their depressing story "Sigh-fi" was published by Kontur.
Across The Way With
August 30, 2021
RUTH BUCHANAN is an artist from Aotearoa New Zealand who lives in Berlin. She works across exhibition making, writing, design, publishing, and teaching. Her work draws out the contested and dynamic relationship between the body, power, language and the archive. This process of contesting often relates closely to the types of relationships that standardised infrastructures, such as archives, libraries and museums create between our bodies and society at large and actively asks how these relationships could be otherwise. Recent and forthcoming projects include exhibitions Heute nacht getraumt, Kunstmuseum Basel | Gegenwart, and The scene in which I find myself / Or, where does my body belong, Govett-Brewster Art Gallery, Ngamotu New Plymouth; editorial projects Uneven Bodies (reader) including contributions from Linda Tuhiwai Smith, Gabi Ngcobo, and Tina Barton, and including contributions from Anna Gritz and Sriwhana Spong; and MIDNIGHT / WORKER a sculpture in public space realised with the Neue Afftrageber.
Across The Way With
July 26, 2021

DR. MKWESHA is currently a researcher and teaches a Contemporary Research: Decolonising Knowledge at Helsinki University, Swedish School of Social Sciences, Centre of Ethnic Relations and Nationalism (CEREN), Finland. Her PhD is on gender and the nation in Africa from Stellenbosch university, South Africa. She is an expert on representation and discourse analysis in African literature and culture and society. Her research interests are African studies, literary and cultural studies, race and ethnic relations, from a decolonial, postcolonial, black feminist and gender perspectives. She also teaches Black and African feminisms, African sexuality, Decolonial feminisms and Decolonising Development in Africa. She is also a social justice activist who founded Sahwira Africa International NGO working with migrant and Finnish youth on culture and arts from an anti/racist approach focusing on resistance, survival, thriving and transformation. She does anti/racism activism launching online petitions to influence policy and initiate discussions on representation and racism. She initiated and led successful campaigns against racism, discrimination, problematic and stereotypical representation of black people and Africa to advocate for change and influence policy in these successful online campaigns. She has worked in universities in Zimbabwe and South Africa as a lecturer and administrator. She is an African, Zimbabwean living and working in Finland.

SASHA HUBER (1975, CH/FI) is a visual artist of Swiss-Haitian heritage, born in Zurich, Switzerland. She lives and works in Helsinki, Finland together with her family. Huber's work is primarily concerned with the politics of memory and belonging, particularly in relation to colonial residue left in the environment. Sensitive to the subtle threads connecting history and the present, she uses and responds to archival material within a layered creative practice that encompasses performance-based interventions, video, photography, and collaborations. Huber is also claiming the compressed-air staple gun, aware of its symbolic significance as a weapon while offering the potential to renegotiate unequal power dynamics, and started to refer to those artworks as pain-things. She is known for her artistic research contribution to the Demounting Louis Agassiz campaign, aiming at dismantling the glaciologist’s lesser-known but contentious racist heritage. This long-term project (since 2008) has been concerned with unearthing and redressing the little-known history and cultural legacies of the Swiss-born naturalist and glaciologist Louis Agassiz (1807-1873), an influential proponent of “scientific” racism who advocated for segregation and “racial hygiene”. Huber has participated in numerous international exhibitions, including the 56th Venice Biennale in 2015, the 19th Sydney Biennial in 2014. Huber will start her first solo exhibition tour under the title You Name It. The tour begins at Kunstinstituut Melly in Rotterdam. The exhibition tour is commissioned by The Power Plant Contemporary Art Gallery in Toronto and Autograph in London.

AMALLE DUBLON's writing has appeared in GLQ, Artpapers, and TDR: The Drama Review. They have exhibited artwork at Artists Space, NY, and ARGOS, Berlin. Amalle helped organize I Wanna Be with You Everywhere, a gathering of disabled artists, in 2019. They teach at the New School.

SANDRAنور WAZAZ is a DJ and artist working in video and installation. They were a 2020 fellow at Art Beyond Sight’s Art and Disability residency program and have exhibited at The 8th Floor, NY and Nook Gallery, Oakland, CA. Sandra lives in Brooklyn with their cat, Bean. This video is accompanied with an On The Waves with Sandraنور Wazaz playlist.

Across The Way With
May 31, 2021

MIA YOU was born in Seoul, South Korea, grew up in Northern California, and now lives in Utrecht, The Netherlands. Her first full-length collection is I, Too, Dislike It (1913 Press, 2016), which Rachel Levitsky calls, “a companion, an aria to bodily discomfort and impossibility.” Lisa Robertson writes in The Brooklyn Rail, “That the gently derided ‘small drama of my suburban-middle-class-Korean-American life / makes poetry’ aligns You’s documentary project with mentors such as Mayer, Rankine, and Hejinian, and younger contemporaries such as Susan Briante.” You’s poems also have appeared as a chapbook, Objective Practice (Achiote Press, 2007), and an artist’s book, YOU (created by Thorsten Kiefer, 2004). She currently teaches creative writing and literature at the Universiteit Utrecht, after completing a PhD in English at the University of California, Berkeley. She writes essays and book reviews and has published them with Artforum, Bookforum, The Critical Flame, The Hairpin, Jacket2, and the Los Angeles Review of Books.

Across The Way With
April 26, 2021

AA BRONSON (b. Michael Tims, 1946, in Vancouver, Canada) is an artist living and working in Berlin. He founded the artists' group General Idea with Felix Partz and Jorge Zontal in 1969. For 25 years, they lived and worked together, exhibiting internationally, inventing new territories for themselves: performance art, video art, queer art, AIDS art. Since Felix and Jorge died of AIDS-related illness in 1994, AA has exhibited as a solo artist, often collaborating with younger generations. His work has addressed death, loss and mourning through performance and installation. Most recently he has returned to General Idea's AIDS works and continued in the context of a second pandemic.